An even better way to save money buying used gear is to search for deals on "broken" or non-functioning gear. Sometimes you can discern from the product description what might have gone wrong with the microphone, but other times you just have to take a leap of faith and hope that the damage is something that can be fixed. This assumes you have a basic working knowledge of how to use a soldering iron-- if not check on the web for some tutorials about soldering, and practice first on a non-critical piece of gear to hone your skills before moving on to a mic.
This how-to specifically applies to a Shure SM58 or SM57 which I have found to be one of the more difficult dynamic microphones to fix because of the delicate construction of the mic. The same repair concepts apply to pretty much any dynamic mic, and may be actually easier to implement with other models and brands, depending on the housing, wiring and microphone capsule. (Condenser microphones are infinitely more difficult to repair. Since a condenser mic element is especially fragile and more susceptible to vibrations and shocks, any damage might be beyond repair; purchase broken condensers with caution.)
First off, with a non-functioning microphone you have to determine the most likely area of malfunction. Carefully unscrew all the pieces and inspect them for wires that are not connected or loose. Most frequently, the cause of a non-working microphone happens when a wire disconnects and breaks the signal flow-- in this case a quick re-soldering job will get you up and running in no time. If the wires are still connected toward the front of the microphone, find a small flathead screwdriver and unscrew the XLR connection from the base of the mic and remove with pliers.
The photo left shows the most typical problem with mics. One of the connecting wires to the XLR has been disconnected, which can be easily reattached with a touch from a hot soldering tip. If more than one wire is disconnected and you're not sure which wire goes where, try to find some documentation from the manufacturer to give you more information on the original wiring setup. (Note: the XLR ends on the SM58 at left don't match Shure's wiring diagram. Shure microphones have gone through several wiring permutations over the years, and this particular mic is over 20 years old, so for whatever reason has 4 wires instead of 2 or 3.) If it is in fact a wire that's come loose, you're lucky; this is the easiest fix and makes you feel like a bandit from all the money you saved on a "broken" mic.The more tricky fix comes into play if there's no visible signs of disconnected wires at the XLR end or in the middle of the mic. If not, there's probably been some kind of damage to the wiring of the microphone capsule-- the type of damage will determine if you can fix the mic or not. You'll have to carefully disassemble the microphone capsule end from the wires on the base of the 58, first by de-soldering the base wires from the metal terminals at the end of the capsule and unscrewing the center nut and any ground wire (if present). Then you'll have to slide the entire capsule element out of the microphone housing, making sure not to cause any further damage to the capsule from the force of the disassembly. Removing the capsule from the housing will take some nudging and wiggling to get it out, and once removed you might not be able to get it back into the housing as snug as it was before.
When de-soldering and taking apart the capsule element, it would probably be best to take pictures of how the mic was assembled for reference, and clearly mark exactly how the wires connect to the capsule and the diaphragm. When reassembling the microphone, you want to make sure the correct wires are connected back to their origins, otherwise you will reverse the polarity of the mic, and it won't function the way it should (although you'll still get a signal).
Once taken apart, you'll be able to see where the damage has occurred to the microphone capsule. The most frustrating part of a 58 or 57's construction is the delicate wire that leads from the coil under the diaphragm, between strips of yellow tape, down the magnet of the capsule, and finally connects to metal terminals secured on a wafer on the center post of the capsule. Dynamic Shure microphones are extremely durable, but if anything is really going to "break" on these mics, it's going to happen in the few exposed centimeters where the delicate red wire connects to the metal terminals. Fixing this requires near-surgical precision and a steady hand.If indeed the little red wire has become detached from the metal terminal, you'll have a hard time soldering it back on. The red coloring is actually a type of plastic shielding, so solder won't readily adhere to the wire without some prep work. First, carefully peel back the top layer of the yellow tape with an Xacto knife, being careful not to rip the red wire in the process. With some electrical tape, secure the top layer of yellow tape out of the way, and separate the red wire from the bottom piece of yellow tape. With a lighter, move the flame close to the wire, making sure to never touch the wire directly, and only exposing the wire to heat for a very brief instant. This will burn the shielding off of the wire and leave the wire exposed, but if the flame is too close, the wire will burn, and then it's probably game over.
Now the tiny wire is probably too brittle to reattach to the original terminals, so the next step is to manufacture an alternative method that will leave the tiny wire securely in place while allowing you to make a connection with the colored wires from the base of the microphone. You'll need some copper desoldering braid, some soldering flux and the rest of your soldering tools.With the desoldering braid, cut a piece the length of the capsule magnet and poke a hole with a pushpin through the braid.
Thread the tiny wire through the piece of braid and tape the braid on top of the yellow tape to hold it temporarily in place. Put a little bit of soldering flux over the hole where the tiny wire is threaded-- this will help ensure a good bond between the braid, the wire and the solder.Next, solder over the hole, filling it in and letting the solder run down a portion of the braid. Don't use too much solder, but make sure that you've used enough solder to make a solid connection with the tiny wire. It's OK if not all portions of the wire adhere to the braid-- as long as you've made a
connection somewhere along the braid, it's probably sufficient to pass signal from one element to the other.Once the wire and the braid are soldered, lay the top piece of yellow tape back over the braid and secure the whole thing in place with a couple of wraps of electrical tape. At the bottom of the mic capsule, solder a spare piece of wire to the braid-- this new wire will jump the gap between the mic capsule and the base of the microphone. Once again, be sure to note which side of the microphone corresponds to which color of wire, otherwise you run the risk of reversing your polarity.
Inserting the capsule back into the housing is a difficult squeeze since there are several new layers of tape, but with enough care, the capsule should eventually fit into place. Twist the extension wires with the original wires from the base and solder the connections, then shield off the wire with a strip of tape. Screw the top portion of the mic back into the base and test the connection-- if done correctly, you should have a functioning microphone once again.*Edit* Check out Shure's documentation for the SM57 here and the SM58 here. Here's a quick wiring diagram provided in the SM57 manual:

20 comments:
How do you know when a capsule is damaged? Is it the same with a condenser mic? I always like buying used, but of course am afraid of getting a lemon. I bring my ZOOM H4 to make sure the mic work, but beyond that, how can I find out if it's been dropped or something like that? Thank you!
Short of testing the microphone through a mixer or recording unit, it's hard to tell if a capsule is "damaged." Inspecting the outer grill might tell you if the mic has been dropped or not, but in order to see the capsule, often times taking it apart will do more damage than good. I wouldn't recommend taking a mic apart unless you know it's not functioning-- with a 57 or 58, disassembling the mic magnet& capsule element from the base permanently diminishes the integrity of how the mic "sits" snugly in its casing. Disassemble that part only as a last ditch effort to save a lemon.
Another method would be taking an electronic multimeter and testing the continuity between the solder joints closest to the mic capsule (on the insideof the mic) and the XLR output. If your positive and negative poles indicate that signal is passing through, then you know the problem is coming from the capsule.
Last method is listening to the output. Listen for any rattles, buzzes, subsonic hums, nasty overtones or obvious "dead zones." Compare the sound to a known working model if you can. While performance can degrade with abusive treatment, dynamic mics are pretty hardy-- I've used 25 year old Shure mics that look rotten but sound better than new. As for condensers, my experience is that either it doesn't work, or it sounds obviously broken if it's been abused. My sound company has a Beyer m201 that's been dropped one too many times and its output has a hellish buzz. The charged plates of a condenser mic are delicate, so you've got to just make an educated guess as to the mic's history.
My Shure SM57 has between the cap and the body two wires: One yellow and one green. both are detached from the solder points of the cap. How do I know which to resolder to positive, which to negative?
Thanks!
The green wire should be soldered to the "coded" terminal, and the yellow one goes to the other terminal. The "coded" terminal on all the Shure 58s and 57s I've seen is a red stamped "A". Depending on the year and manufacture location, some 58s and 57s have a black ground wire that connects to the center screw post with a nut, but most models do not. According to Shure's documentation, positive pressure on the diaphragm produces positive voltage on pin 2, although I'm not quite sure how to test this.
I found another site (forgot the url) that showed a clear photo of one just like mine. Two wires, green and yellow with green attached to the terminal with a "+" sign. I went ahead and did the same and will test it when I can. If it is wired backwards will that cause any major problem? I presume that as long as I try it at low input gain that not too much could go wrong. I suppose the diaphragm would move in instead of out, and it would not sound right. Would that be because it is out of phase?
Thanks.
Positive should be green. Nothing horrible should happen other than the mic would be 180 degrees out of phase. It's hard to hear phase issues though. I'd imagine you could record two mics at the same time to see if the peaks occur on the same phase at the same time.
If you test the #2 and #3 poles on the end of the XLR on the mic and receive 0 using the DC on your multimeter, does that mean the mic capsule is shot? i tested a working a mic and received a reading of 300...my non-working mic reads 0.
thanks for your help!
I have worked on vintage E-V dynamic mics (647, 654 and 649B). There are two fine wires leading from the voice coil mounted on the diaphragm, through two small holes located 180 degrees apart on the perimeter of the capsule, to terminals likewise located 180 degrees apart. It appears E-V used enameled wire for the voice coil and the two leads that pass through the holes. I suspect that with time the enamel insulation becomes brittle and eventually fails. When the enamel insulation fails near either of the two small holes, the leads come in contact with the metal capsule which is at ground potential. If one side of the voice coil is grounded you will have very low output. If both sides are grounded you will have a dead mic. The rule of thumb with these mics is not to unscrew the top cap unless you absolutely must (if it ain't broke don't fix it). You might be able to reinsulate the enameled wire by applying clear nail polish but I have never tried this myself. You can fairly safely unscrew the 24-point Gulmite screw which holds the grille in place and clean out any residue or decaying foam rubber inside.
I have seen some vintage E-V dynamics which have a fiber washer glued to the top of the capsule to protect the delicate voice coil wires where they pass through the holes. If either of the voice coil leads breaks and the break is not near one of the terminals where you could easily resolder it, forget it; the mic is a goner.
Hi,
Very useful article. I was having a problem with my sm58 which looks like its the same model as the one in your pictures. I bought mine second hand so I don't know how old it is but it has green, yellow and black wires coming from the capsule and black, red, blue and orange wires leading to the xlr connector. My first question is how can you tell the positive terminal from the negative one on the capsule. I took mine apart and put it back so the pcb looking thing could be back to front. Also, I noticed that your orange wire is connected to the metal hoop looking thing on the xlr connector. Mine isn't connected at all and one end of the wire is covered in a canvas looking material. Is it possible thats the way it came from the factory?
Any help would be much appreciated as these older sm58s are impossible to get info on,
Cheers
Gordon
Hey Gordon--
sorry for the late reply....
if it's just copper wires from the capsule, i.e. no markings, I'm not sure how to test for positive or negative. A voltage meter setting? Oscilloscope?
There's many legitimate permutations of the SM57 and SM58, and different ground wiring combinations. If memory serves correctly, some are pin grounded (3 wireson the XLR end), some add a housing ground (4 wires on the XLR end)and are grounded on the capsule side (black wire to middle screw-post thing) or not. It all depends on where and when it was made.
I have a broken Shure SM57. It appears that the red wires have become detached (not at the grill end but in the middle of the body). I'm not sure exactly where the red wires attach to - do they just need soldering onto the contacts either side of the the little PCB thing that the post goes through? Also, it's tricky to reach that area - would I need to desolder the yellow and green wires from the other side in order to do this (I don't want to do this unless I really have to!)
@ Carol-- Not sure where exactly the "red" wires go-- on a real Shure microphone, the wires in the middle of the mic are green and yellow; green goes to the "coded" terminal on the PCB (coded=marked in some fashion, like a red "A"), and the yellow goes to the other. My pictures above feature a red wire in the middle because that's the part I fixed, i.e. not original. The red wire on the XLR end is connected to the yellow wire through a transformer in the base of the mic. I wouldn't recommend un-soldering a wire that's in a hard to reach spot. It seems easier to just solder another wire onto the lead wire that's already there, so you have extra length to deal with. Can be tricky, but possible. Hope this makes sense-- early morning and haven't had my coffee yet!
If you need to fix a Shure, try to find the instruction sheet for the replacement capsule. For an SM57/58 the capsules are the R57/59 (respectively) and they use the same sheet (search for us_pro_r57_r59_ug.pdf). This has a perfect diagram (including what to do with the black wire used in some units), and instructions on how to hook it up. If you are unsure what capsule to look for, try searching sound gear supplier sites (like www.fullcompass.com, that's where I found the capsule model for the SM58 I fixed today).
Hello and thanks for the great info here. My 58 is definitely victim to twist and break of both thin copper wires from capsule. about half the length is still "clean" under the yellow tape, and my evil plan was to attach enough wire (solder first!) to cross with each lead from the capsule, slight zigzag with tape to hold against the lead. Obviously, days as a road mic are through! Any idea what the specs are on those tiny copper-colored wires? What type of wire can I use for the 10mm gap? Appreciate any ideas you could provide.
There comes a time when you just have to buy a new one :-)
I found that a sensitive millivolt meter connected between the 2 solder terminals on the capsule will reflect a positive or negative voltage if you blow into the capsule nice and hard. That should help with polarity issues...
Here is the link to the Shure sm 57 user guide
http://img3.musiciansfriend.com/dbase/pdf/man/m_270102.pdf
I have an sm 58. All the connections seemed good. However, when I tested the mic (compared to another), it had no bottom end and sounded tinny and I had to push the gain relatively hard. I am now looking at the cartridge and the tiny wires seem to be connected fine. What could cause this problem?
This has been a great guide, thank you, now to fix a broken dynamic microphone is quick with your help. Kudos
Thanks for your valuable information! Tiny wire at the capsule broke, and I wondered why I couldnt solder it to a jumper. Desoldering braid to save my Unidyne III SM57! Yay!
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