Guerrillas thrive on the unknown and use it to their advantage, turning the flaws of the system into opportunities for upheaval. While bureaucrats spend time trying to maintain control of territory and capital with tired old traditions, guerrillas know that the true prize is in the heart of the people, and only through unconventional exploration can this gem be revealed.
In keeping with this rich and empowering tradition, CHiTT Productions practices the art of guerrilla recording. The adversary is the big-business culture industry, with its spit-shined factory lineup featuring uninspiring permutations of the same product asking extortion prices. The revolutionary goal, therefore, is to produce an entirely different form of culture which rivals the methods and productions standards of the mainstream without compromising our underground ethics or driving us into serfdom. In this mission we understand we are the underdogs and our tools aren't nearly as pretty as the bourgeois elite, but underneath the grit in our work there's an authenticity all the money and studio "magic" in the world couldn't buy.
The tactic of guerrilla recording is to travel lightly and with purpose; bring only the things you need to get the job done right, know your tools, move into the new environment quickly, take stock of your resources, setup operations, and roll the tape to capture the vibrancy and spirit of the creative process as faithfully as possible.
CHiTT Productions specializes in multitracking live band setups-- this means that each element of the band is individually recorded on its own track, up to 12 tracks at a time and up to 48 tracks total, so each instrument can be fine-tuned afterwards for the perfect mix. The recording process is simple-- we come into your home territory with our laptop and DAW and size up the acoustical situation. You jam in a small basement? An aluminum storage shed? A cardboard box? Not a problem. We can make the trickiest recording environments produce quality recordings. We'll arrange our instruments and mics for optimal acoustic isolation and setup shop in a flash. After a quick but organized line & monitor check, and a quick playback test to see how the situation sounds, the band is ready to record.
In order to get the best out of your guerrilla recording, your group should be aware of the following suggestions and tips:
- Practice, practice, practice. Often bands don't realize that their material is a bit rusty or "unsure" until they hear their recordings played back to them. Spend the time to really listen to your music (turn the volume down for starters, or play acoustically if you have to). Sit down with your band mates to hash out the dirty details of each song's arrangement, dynamics, tempo, notes, etc. Unsure of what your mates are doing during a particular part of a song? Figure it out before your scheduled day to record, because all the inconsistencies will appear later on the tape for everyone to hear in high fidelity. You don't really want to waste your time (or ours) fixing problems with overdubs later, do you?
- Toubleshoot sonic problems before your day to record. What's that ringing when the drummer hits the toms? Why doesn't the kick drum have any "oomph?" What's that noise coming out of the guitar players speakers? Buzzing frets? Loud ventilation system/roommates, etc.? The list of potential problems is endless. It's always best to give us your sweetest sounds from the beginning, and weed out the bugs beforehand, because if it sounds bad going in, it's going to sound bad coming out. Be eternally picky; this is your art.
- Tune, tune, tune. The dustbins of audio history are filled with otherwise great performances ruined by out-of-tune instruments. Tune often and with great care, as if the lives of your loved ones depended on it. Every time the recording stops or a song ends, every tunable instrument should resynchronize to its glorious tonic calibration. Unless you are certifiably blessed with perfect pitch, you should own an electronic tuner and make sure that it is perfectly matched to every other tuner in use during recording. If your instrument cannot stay in tune, borrow one that can. Your listeners will thank you later.
- Know what you want to accomplish with your recording session beforehand. What songs are you going to record? Do you want to play the songs straight through like a live show, or do you want to work on one song at a time until every element is layered and nuanced? Do you want to experiment with your sounds, or do know exactly what sound you're after? Keeping a clear aim of what you want to accomplish keeps the process running efficiently, since both time and money are limited resources.
- Communicate effectively with the recording engineer. Need some more of an instrument in your headphones? Not pleased with the sound of that reverb? Too much guitars in the mix? Just say so, because we're not clairvoyant and it's not going to hurt our feelings. We'll work with you to make sure you get the sound you're after.
- Be patient. Audio recording is a laborious process to get right. While we've got the process down to a quasi-science and move pretty quickly, setup and tweaks take a little time. The more everyone can stay focused on the process and not get sidetracked, the more time can be spent recording.
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